
Five days in the summer meadows with a camera, a small group and a photographer who has worked these fields for twenty years. Mornings in the field, afternoons at the screen.
When to get up, where the sun will be and why the hour after it is often the better one.
Finding a subject where there seems to be none, and leaving out everything else.
A calm edit that stays true to the morning, then a print on the paper you choose.

people per course
sunrises in the meadows
in these fields